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Contributor


Tony Ryan

Composer

Born: 1951

Biography

Since returning to New Zealand in 2017 after several years living in Mombasa (Kenya) and Singapore, Tony Ryan has resumed a very busy music schedule as a composer, conductor and reviewer.

Born in Timaru, Tony graduated from the University of Canterbury with a MusB (Hons) in composition. After qualifying as a teacher, he briefly led Music and Drama at Heretaunga College before his thirty-three years as Head of Music at Linwood College, culminating in the hugely successful Linwood College Orchestra’s Phoenix Tour of Europe and the UK in 2011. From 2012 to 2017 he lived and worked in Kenya and Singapore.

Tony has been a sought-after composer, conductor, pianist, lecturer and reviewer. Past conducting engagements have included assignments for many companies including the Christchurch Symphony, Court Theatre, Canterbury Opera, NASDA and others. His many compositions include musical theatre works for schools, scores for professional theatre productions, particularly for Court Theatre, (Much Ado about Nothing, The Merchant of Venice, Alice!), song cycles, chamber works and orchestral pieces such as HAKA!, which has received several performances in New Zealand, Australia and the USA. The acclaimed season of his opera The Musicians of Bremen in 1996 remains one of the highlights of his career, as was the premiere of his first String Quartet which has been played by several groups including a single movement by the New Zealand String Quartet. His commissions also include a work for the Christchurch Symphony in 2012 to celebrate the ninetieth birthday of John Ritchie, and his Linwood March has become a popular annual feature of Linwood College events and ceremonies. Lectures for University of Canterbury Continuing Education and U3A along with guest conducting, adjudicating and Creative NZ Assessment Panels have also been occasional aspects of his music work.

Tony has composed prolifically since his student days when early performances brought him critical recognition in The Press as “the most gifted and fluent” of a new generation of composers.

The most gifted and fluent of a new generation of composers - Christchurch Press 1975


Composed (23)

A Carillon for Christmas

for four unaccompanied solo voices, 12m


Concert Champetre

for voice and piano, 12m


Concerto

for soprano saxophone and orchestra


Concerto for tuba and orchestra

for tuba and orchestra, 20m


Cris de Coeur

for two female voices with piano, 12m


Deck the Halls

for voices and orchestra, 3m


Fantastic Waltz

for full orchestra, 6m


From a Garden in the Antipodes

for voice and piano, 10m


Haka!

for orchestra, 7m


Mary Ursula Bethell

for SAB choir and piano, 3m


Mary Ursula Bethell

for three solo voices, 3m


Omi-Kin-Kan

a song cycle for voice and piano, 12m


Red Sky in the Morning

for voice, french horn and piano, 22m


Salome

for full orchestra, 1h 20m


Scherzo 1994

for saxophone quartet


Six Michael Songs

for voice and piano, 15m


Songs of the Moon

for voice and piano, 23m


String Quartet

for string quartet, 37m


The Musicians of Bremen

comic opera in one act, 1h


The Tempest

for full orchestra, 1h 30m


Vivat! Vivat Regina!

for large chamber ensemble, 10m



Recordings (1)


Resources (2)


Performances (1)

Resonance Ensemble | A Tuba Comes to Town

After two previous attempts to bring a star Tuba player from Australia – Third Time Lucky! Tho...