William Green was born in Christchurch and studied piano with Jean MacLachlan, and with Maurice Till at the University of Canterbury, graduating BMus/MA. He now lives in Auckland where he works as a pianist, teacher, arranger, composer and presenter. His varied life as a pianist has involved playing for improv theatre, comedy festivals, quiz shows and art exhibitions to accompanying choirs, and playing in professional orchestras, in venues ranging from Disneyland L.A. to a cheese factory in Matamata. In dance, his experience spans playing for international ballet superstar, Sergei Polunin and visiting dance companies from UK, USA and Taiwan, to beginners aged 3-92. His improvised silent film playing includes the German classic, Nosferatu (Auckland Arts Festival, 2015) and Rewi's Last Stand.
He has worked in secondary, tertiary, adult and alternative education, including guest tutoring at Auckland University and Auckland University of Technology and has worked at UNITEC's School of Performing and Screen Arts since 1998. In 2012 he was Musical Director for Beth Shalom Progressive Jewish Synagogue, and was made a Life Member of Bach Musica in 2016.
William has performed and recorded music by approximately seventy New Zealand composers, most of them represented in his seven-year series of annual recitals in the Auckland Public Library concert series, where he performed New Zealand piano music of each of the seven decades from 1940 to 2010. This large-scale project was completed in 2012, with 53 composers represented. He has also performed New Zealand music in Australia and at the University of the South Pacific in Suva, where he presented a lecture-recital of New Zealand piano pieces based around the music of NZ-born composer, Frank Hutchens. In 2016 he launched his CD, 'The Young Pine Tree' (Organism label - ORG018, producer Richard Apperley) of New Zealand piano miniatures 1900-60, featuring 27 pieces (many previously unrecorded/unpublished) which was a Radio NZ Concert, 'disc of the day' in September 2016.
William's compositions - ranging from choral, piano, chamber, vocal and orchestral music to opera, ragtime, jazz, comic songs and music for theatre - have been performed by Stephen de Pledge, Auckland Philharmonia Orchestra, opera companies and Opera NZ soloists, many choirs (and featured on Bach Musica's CD, 'The Best of Bach') premiered at the 44th World Viola Congress, and published by SOUNZ (NZ flute album, 'Little Dancings') and Orpheus Music, Australia. His comic operas, to his own libretti (described by reviewers as 'zany' 'witty' and 'delightful') include 'Atishoo!', given eight performances by Opera Factory (2006) and 'Goldilocks a la Mozart' (the Goldilocks story set to various Mozart themes) premiered by Little Box of Operas in the Dunedin Fringe Festival (2018). He was the commissioned composer for the Many Choirs Festival in Auckland in 2010, and again in 2011. His poems on musical themes have been read at concerts, charity events and on radio, and he enjoys creating piano transcriptions as well as organising, presenting and performing in unusual commemorative events, such as the centenary of Paderewski's New Zealand visit (1904), Opera's '400th' birthday (2007) and the Titanic centenary (2012).
for solo piano, 20m
for SATB choir, 3m
for SSA choir and piano, 3m 30s
for bassoon and piano, 3m
for SSA choir and keyboard, 2m
for solo sopranino recorder and recorder orchestra, 5m
for SATB choir and piano, 3m
for SATB choir and small orchestra, 2m
for SATB choir and organ, 3m
for two treble recorders, 4m
a comic opera, 30m
for SA choir and piano, 2m
for voice and piano, 3m
for soprano voice and viola, 3m
for solo piano, 3m
for five voices, 3m
for SATB choir and piano, 3m
for SATB choir, 2m
for SATB choir and piano, 10m
for treble recorder and piano, 8m
for soprano and piano, 6m
for flute and piano, 4m
for piano, 7m
for soprano, alto and tenor recorders, 5m
for recorder quintet, 3m