Tirohia te kohinga
Of the three instruments in this trio, each exhibits its own unique character, disjunct from each other. Likewise, the character of the three movements is hi...
Cepheid II is a sister piece to an earlier organ work called Cepheid. Long, slow tones open the work creating a timbral shimmering. Slowly, this texture ...
Leonie Holmes is an Auckland based composer, writing for orchestra, chamber, choral, vocal and solo instrument. Recent works have been commissioned and/or pe...
These three a cappella folksong settings were written for the 2011 – 2012 NZSSC to sing during their NZ concerts and on their trip to the Ihlombe South Afric...
A scene from childhood, remembered as a half peaceful, half eerie dream sequence. Deep in the bush where there were no cicadas singing, the moist smell of so...
Performed by Opus Orchestra
Marimba: Yoshiko Tsuruta
Conductor: Peter Walls
Filmed and edited by Chris Watson for the Resound Project (funded ...
Sharpening of top violin strings brings lift
So relaxed it barely comes into being
Robbie thought of this name, so why not
Fog and 98 per cent humidity
Brings it on
Smell of the sea
Based on a triad
'Strad' on standard violin tuning; tanpura is Pa sa sa sa Sa
Who is in the violin
Doesn't want to fit in
Church bells transposed from Cremona to Rongotai
Tension and resolve continuously built in
A short wave
A name that belies neutral temperament
The tunings for both instruments explore the theme 'As close as makes a difference'. Tunings are not far in distance from standard pitch, nor from each other...
For high voice, clarinet in B flat and piano, the five songs are settings of New Zealand poems that evoke poignant memories of past experiences. They are of ...
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