Films, Audio & Samples
Sample: pages 4 - 6See details ➔
Buy or Borrow
To borrow items or hire parts please email SOUNZ directly at firstname.lastname@example.org.
“I enjoyed playing the first performance of 'An Irksome Vengeance' with Yvette. The piece explores quite complex rhythmic patterns at a high level of expertise, calling to mind jazzy and folk-type drive with well-executed lyrical connections. The audience seemed to relate warmly to the work, so I think it is well deserving of future airings."
– Katherine Hebley, cellist, Auckland Philharmonia Orchestra and 175 East
This piece was largely informed by my involvement in the Auckland Philharmonia Orchestra’s Remix the Orchestra courses, during which fascinating syntheses of classical and hip-hop musics are created.
I have an all-encompassing view of music and have never shied away from influences outside the ‘classical’ genre: in this short work can also be heard a fleeting post-grunge-informed bassline and maybe, even, a slight tinge of progressive rock.
It recently occurred to me that many of us have a rap song from our formative years to which we know, if not ALL the words, at least most (often entirely despite ourselves!). Upon rediscovering Monie Love’s It’s a Shame (chorus originally recorded by the Spinners and written by Stevie Wonder), the phrase ‘an irksome vengeance’ jumped out at me from the lyrics.
Upon catching up with a former mentor prior to the composition of this work, I was reminded of the concept of a ‘groove-based’ piece, and to this end I have tried not to let the basic pulse abate for too long at a time, so as to create as much continuity as possible.
– Yvette Audain
a one-movement, 'groove-based' work for clarinet and cello
23 Aug 2009: Committee end-of-winter concert
06 Mar 2011: Grooves Unspoken: Music by Yvette Audain
Performed by Yvette Audain (clarinet) and Katherine Hebley (cello).