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Sample: Pages 1 and 2 of scoreSee details ➔
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The material of But buried dust and rusted skeleton takes shape within a predetermined environment. This environment is a spatial-temporal scheme defining the trajectories of the two instruments through the pitch space and establishing temporal nodes onto which the material may eventually attach itself or which may impact the inner morphology of the material. Taken from a poem by Ezra Pound, the title hints at the inner archaeology of the creation of works of art.
Commissioned by the Society for Slovene Composers
Dedicated to Anja Clift and Valentina Štrucelj