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Blue Work


Going Like Mad

for piano (four hands)

Year:  2008

Year:  2008

Composer:   Chris Gendall

Films, Audio & Samples

Sample Score

Sample: Pages 2-6 of score

See details ➔

Borrow/Hire:

To borrow items or hire parts please email SOUNZ directly at info@sounz.org.nz.

About

The title of this piece was taken from the end of James Joyce’s Ulysses, inspired by the text’s rhythmic continuity and exuberance. It is designed to turn the piano into a kind-of deranged machine, flirting with total pandemonium.


Commissioned note

Commissioned by New York’s Continuum ensemble


Dedication note

for Joel Sachs and Cheryl Seltzer