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Red Contributor


Denis Smalley

Composer, Performer

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Born: 1946

Biography

Denis Smalley is a composer specialising in electroacoustic music. He was born in New Zealand in 1946, and completed music degrees at the University of Canterbury and at Victoria University of Wellington (MusB, and BMus honours). In 1971-2 he studied with Olivier Messiaen at the Paris Conservatoire, and took the course in electroacoustic composition with the Groupe de Recherches Musicales, completing the Diplôme de Musique Electroacoustique et de Recherche Musicale (Paris Conservatoire).

He then moved to England, living initially in York where he completed a doctorate in composition at the University of York. In 1976 he was appointed Lecturer in Music at the University of East Anglia, and as Senior Lecturer became Director of the Electroacoustic Music Studio. He was Professor of Music at City University, London from 1994 until he retired in 2009; he is now Professor Emeritus.

Professor Smalley's works have been widely acclaimed, winning a number of international awards including the Prix Ars Electronica in 1988. In 2008 he was awarded an honorary Doctor of Letters by the University of Huddersfield for his achievements in electroacoustic music. He has made original contributions to thinking about electroacoustic music, in particular his investigations into the listener's perception of electroacoustic music, and his development of the notion of spectromorphology (the shaping of sound spectra through time). His most recent writing has been concerned with the spatial image, and with spectromorphology in instrumental music. A book on his music and ideas was published by GRM/Ina in the Polychrome Portraits series - in English in 2010, and in French in 2011.

Three solo CDs of his music are available: 'Valley Flow, Piano Nets, Clarinet Threads, Wind Chimes, and Darkness After Time's Colours' on the Empreintes Digitales label (Canada); 'Névé' on Effects Input (Groupe de Musique Expérimentale de Marseille); and 'Base Metals, Empty Vessels, Tides and Pentes' on Empreintes Digitales.


Composed (22)

Base Metals

electroacoustic work, 14m


Chanson de geste

For amplified voice, clavichord and percussion, 16m


Clarinet Threads

for amplified clarinet and tape, 14m


Cornucopia

amplified horn and tape, 16m


Empty Vessels

electroacoustic work, 15m


Gradual

for tape and clarinettist, 12m


Névé

for electroacoustic sounds


O Vos Omnes

motet for 3 soloists, 8 part choir and tape., 6m


Ouroboros

for tape, 11m


Pentes

for tape, 13m


Piano Nets

for piano and tape, 18m


Pneuma

for 5 amplified voices and percussion, 15m


Resounding

for electroacoustic sounds in 6 channels


Ringing Down the Sun

for electroacoustic sounds in 6 channels


Spectral Lands

an acoustic work in six channels


The Pulses of Time

for tape, 20m


Tides

for tape, 30m


Valley Flow

for tape


Vortex

for tape, 16m


Wind Chimes

for tape, 15m


Word Within

for 2 amplified voices and percussion, 13m



Recordings (2)